Oum Kalthoum - Enta Omri

Rupaul's last mini challenge was a drag version of Samuel Beckett's seminal "Not I"

yes

GIANT trailers

Starting this week, we will release a weekly video as a build up towards "GIANT" the new piece Isabel Lewis and myself are working on which will be premiered at the Acco Festival in Israel. This week til the beginning of october = 7 weeks, 7 videos.
Here we go with #1:


#2:

Latrice Morhafuckin Royale

I couldn't possibly encapsulate the greatness of this queen, so two lovely gifs (found on this blog dedicated to her glory) will do:

NIX NIX NIX NIX, Friday 24.2.12 @100GRAD

A little shtick we're doing with another Berliner jew, on this weekend's "100 degree" festival. Featuring some song, dance, death, Wittgenstein and something white.

CHIKOS is finally online

Here is Chikos, a show I made with Maya in 2009. (more info about it here) After some technological struggles I finally managed to put the whole thing on Youtube without chopping it. Bonapetit.

The best theater I've seen in a while

Somehow when kids to it it looks so much better. I think this is one of my Youtube all-time favorites

Haifa Gymanstics, July 2011

I guess some nights are meant for blogging. I just found this video on YouTube, so I have to add one more post. It's us doing Samuel Beckett's piece "Quad" in Haifa Museum in Israel this July. The video, apparently uploaded by the museum, shows Amit Hadari, Osnat Kelner, Subi and myself performing 1/8 of the play, and then me desperately trying to talk to the audience, explaining the piece's structure and trying to get some volunteers to join and perform it with us. What I didn't really consider when I decided to do that, was the sound from numerous video and audio installations that were working all around the museum, as well as the museum visitors, who weren't really into listening to what I had to say... So at some point I just did what sometimes a man's gotta do: shut up and keep walking.

Alona Rodeh - when you are here

a great video my dear friend Alona made. I think it's a beautiful example of how a specific gaze in the right context can give you a glimpse of a whole process. When you see this little moment in the car next to some of Alona's installations, her take on live art and kinetic, time-based sculpture becomes very clear. Nowadays, doing something so specific without making it literal and (pseudo-)intellectual is truly a blessing. Cheers babe! :-)



It also reminded me of this little one I made two years ago:




Here's another one of Alona's installations in Brener St. in Tel Aviv:




And continuing this very free stream of consciousness, here is a gorgeous piece by Brussels theatermaker Kris Verdonck:

Mud wrestling action

Here are some pix that the talented Doro Tuch took at the mud wrestling that happened in the lunapark