this is part 5 of a 6 part, 14 hour magnificent tribute to the insanely fierce Sun Ra, hosted and commented by Michael D. Anderson, "The Good Doctor":
whole thing is here. it is the shit
Showing posts with label USA. Show all posts
Showing posts with label USA. Show all posts
recently i was mentioning Wittgenstein in a discussion
and specifically his idea at the end of the Tractatus, according to which "Whereof one cannot speak, thereof one must be silent."
Subi just showed me this video, and I really think it is not possible to say anything about it.
Death proofing me softly
Subi just saw "Death Proof" yesterday for the first time, so I had the joy of watching it again. I think it's the best thing madame Tarantino shot. The way it lifts you up at the end is exactly what I wanna figure out how to do with my own theatrical shit.
This scene for example is so amazing.
And here's a little shout out I found on Youtube to the editor (yet another proof to support the argument I'm sticking with for years already: the guy is a real feminist):
This scene for example is so amazing.
And here's a little shout out I found on Youtube to the editor (yet another proof to support the argument I'm sticking with for years already: the guy is a real feminist):
Graffiti rock rocks!
Here's something I came across today; a 1984 pilot for a TV show that didn't air. I love the little hip hop dictionary and especially the colored lights on the backdrop. Also, check out Vincent "Prince Vince" Gallo around 10:00. FRESH!
People vs. Art
I love it when art causes "Violent and disgusting outburst[s] of emotion"
Maybe she was playing too much of this game:
Also it made me think about this lovely series of painting by Israeli artist Zoya Cherkassky:
And this action carried out by Gadi Sprukt and Jack Faber, with Tel Aviv museum's hysterical response
Maybe she was playing too much of this game:
Also it made me think about this lovely series of painting by Israeli artist Zoya Cherkassky:
And this action carried out by Gadi Sprukt and Jack Faber, with Tel Aviv museum's hysterical response
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